WHO WON THE DRUG WAR pt 1

IN the summer of 1996 LA was a war zone; the city was flooded with cocaine and the street gangs were fighting over drug territory ; the city was very dangerous and the people were tired from living like this for almost ten years .

THAT ‘S when the article appeared in AUGUST 1996 from the newspaper the [ SAN JOSE MERCURY NEWS] titled [DARK ALLIANCE] a three part series exposing the CIA’s involvement in the cocaine business that had set  LA and in particular SO . CENTRAL LA on fire and had it’s residents living in self imposed curfews.

FINALLY a answer had came to the residents of the besieged city and now they had names and faces to hold responsible for the destruction of what was once one of the most prosperous city in the country as well as the most prosperous black communities in the country.

THE black community was outraged and demanded answers from their representatives and MAXINE WATERS  was their  first target and she responded and demanded answers and investigations. THE pressure was so intense on the government that the director of the CIA was forced to make a appearance.

ON 11/ 15/ 1996 JOHN DEUTCH  appeared at LOCKE HIGH SCHOOL to talk to the residents and explain that the CIA had nothing to do with the drugs in their community ; but the residents were very hostile and didn’t believe him because the newspaper article was so explicit and detailed .

IT also didn’t help the director that a former LAPD captain MIKE RUPERT showed up to further incite the residents with allegation of his personal knowledge of not only the CIA’s involvement in  the  drug business but LAPD’s as well.

THREE years later GARY WEBB followed up the newspaper series with the book [ DARK ALLIANCE]  subtitle [the CIA the contras and the crack cocaine explosion] in 1999; and MAXINE WATERS even wrote the forward to the book.

THE book goes in to great detail of the drug trade originating from the war that the REAGAN administration was conducting against the NICARAGUAN people ; he was having trouble at the time of getting congress to go along with funding the opposition [contras] and so he by passed them by allowing officials in his administration to engage in drug dealing to keep money and weapons flowing to the contras.

THE book bought to light not only high level official’s but all the way down to the street and we first heard the names of OSCAR DANILO BLANDON a federal informant and drug trafficker who was the supplier to the infamous “freeway RICK ROSS ” WHO in turn supplied both sides of a sides of the drug war in LA ; the two largest black street gangs the “crips” and the “bloods”

AT freeway rick’s peak he was selling a half a million dollars  worth of crack daily and this is the context in which REP. MAXINE WATERS  makes this speech on Tuesday  8/14/00.

THERE is no war on drugs going on in AMERICA today and BARRY Mc CAFFERY  needs to resign right now. HE needs to stop pushing policies that send our tax dollars to COLOMBIA supporting these right wing dictator types and move out of the way and allow us to develop some good drug policies that’s going to stop incarcerating the victims of the so- called war on drugs.

I want you to know that you are seated in this building right on the edge of the community that the CIA allowed to be over run with drugs.

THEY  turned a blind eye to the dumping of  tons of cocaine into this community all the way back down through so . central LA  that destroyed the lives and destroyed families  and literally destroyed our communities.

ONE young man stupid enough to go along with the okiedoke  found himself with a life sentence for cooking up the cocaine that was dumped into the community ; who the profits from which were used to fund the war down in NICARAGUA; the contras vs the sandanistas; I know it happened I worked on it for a couple of years.

GARY WEBB of the SAN JOSE MERCURY NEWS ; unveiled what was taking place and spent a year investigating it.

OH they tried to quiet him ; to put a muzzle on him but he was correct ;  I went all the way to NICARAGUA myself and I met someone in prison who had worked with the cartel[BLANDON] who had been involved at the time drugs were being dumped into our communities ; however they would tell you they’ve had a war on drugs and a lot of those victims are now in prison or dead ; but it’s time for a new drug policy and we are going to lead the way for it right here in CALIFORNIA.

IT’S been 14 years since MAXINE WATERS  made that speech and not only has the drug war continued but intensified with our government being in a open alliance with the cartel’s that is far more obvious today than when she made her speech 14 years ago and yet we have heard nothing from her or any of our representatives about the continuation of the destruction of their people and their communities.

OUR government eventually silenced GARY WEBB ; the want us to believe that he committed suicide by shooting himself twice in the head which is physically impossible ; but his brother said prior to his death he was in fear for his life and he was being followed and threatened.

MALCOLM X told us to judge our white friends by the sacrifice they were willing to make and he used the abolitionist JOHN BROWN as a example; GARY WEBB was our JOHN BROWN he lost his life trying to tell us something.

 

THEY STOLE OUR SOUL PT 3

PLATO:[in the laws] through foolishness they deceive themselves into thinking that there is no right or wrong in music; that it was judged good or bad by the pleasure it gave.

THERE are many people who are still confused about the origins of rap music; but in terms of east coast rap the answer was very easy to find.

THE LONDON GUARDIAN posted a article dated 6/12/11

titled [DEF JAM records launched by RUSSEL SIMMONS and RICK RUBIN.1984.

HERE is a little of what the article describes:

GO back to 1983 and RICK RUBIN is a 20 year old ; heavy set ; heavy metal head from a JEWISH ; LONG ISLAND neighborhood . HE transplants to NYC ; initially studying philosophy at NYU ; and befriends JAZZY J ; a prominent member in AFRIKA BAMBAATA’S ; ZULU NATION; who teaches him the basics of hip hop production.

RUBIN borrows a little cash from his wealthy parents and together he and JAY produce [ its yours]  for rapper T LA ROCK; it’s the first release

SIMMONS meanwhile ; is a 26 year old dope dealer from QUEENS turned hip hop impresario arguably at the time ; before the industry merited such a thing.

HE’S putting on block parties in HARLEM and managing the like’s of KURTIS BLOW and the RUN DMC the group that included ; of course his younger brother JOSEPH ” run” SIMMONS.
AS we can see from this article that DEF JAM was financed from it’s inception by JEWISH money as well as a more intelligent and more connected person than RUSSELL is and that is what was responsible for DEF JAMS success.

ALSO you will notice the traditional relationship between black’s and JEWS in the business arena where the black’s provide the talent and the know- how of the art and the JEWS control the money and industry.

THIS can also blend into politics ; since JEWS will share black’s they control with other JEWS in the furtherance of the tribes business and in the interest of the JEWISH homeland ISRAEL.

THIS is what RUSSELL seems to be being positioned for; in a article published by the [JEWISH JOURNAL /LA ] dated 2/27/13

THE article goes on to say  SIMMONS ; who co founded DEF JAM at the age of 26 ; relocated to LA from NY in JANUARY to pursue the development of  film and TV projects.

BUT while he’s here he hopes to bring more visibility to the FOUNDATION  for ETHNIC UNDERSTANDING ; a NY based  non- profit that is dedicated to face to face dialogue between ethnic groups ; including JEWS and MUSLIMS.

ONE of the foundations initiatives ; known as the weekend of TWINNING which is held in partnership with the WORLD JEWISH CONGRESS  and the ISLAMIC SOCIETY OF N. AMERICA ; during the initiatives inaugural year ; in 2007  50 synagogues and 50 mosques from across N. AMERICA  participated  according to RABBI MARC SCHNENEIR ; president and co founder of the foundation

SIMMONS who became chairman of the foundation in 2007 co starred in a public service announcement with rapper [ JAY Z] that denounced anti Semitism likening it to racism.

THE commercial aired internationally ; but nowhere did it appear more on TV than in EUROPE;RABBI SCHNEIER had just returned from a trip to FRANCE where anti Semitism is on the rise .

“we have to do something ” SIMMONS recalled the RABBI say; “and I said your right but let me come up with a idea that’s not JEWISH people defending themselves ;and with SIMMOMS help the notion of being a JEW and MUSLIM will become more chic; more in vogue according to RABBI SCHNEIER.

THIS is our response to the BDS ; boycott ; divestment and sanctions movement ; which encourages artist to refuse bringing their work to ISRAEL out of protest of the treatment of the PALESTINIANS.

SIMMOMS said “he would never do such a thing” when asked about participating in the boycott movement.

LAST JULY ; SIMMOMS took his first trip to ISRAEL to discuss with ISRAELS foreign ministry the possibility of bringing TWINNING to the JEWISH state .

SIMMONS and RABBI SCHNEIER were also guest at president SHIMON PERES’S facing tomorrow conference in JERUSALEM meeting PERES personally.

 APPARENTLY RUSSEL got into a little trouble with his JEWISH handlers when he retracted a tweet he sent praising ARIEL SHARON upon his recent death.

THE TIMES OF ISRAEL REPORTED on 1/12/14

RUSSEL SIMMONS eulogized ARIEL SHARON for his work to promote tolerance ; later deleting the tweet amid strong backlash.

HIP HOP business magnate RUSSEL SIMMONS retracted a tweet for his three million followers SUNDAY in which he praised the late ARIEL SHARON for his work to promote tolerance and latter admitted he had confused SHARON with president PERES.

THE original tweet which was deleted  shortly after it was posted ; read RIP ; my friend ARIEL SHARON great pleasure working with you.

SIMMONS said he made the mistake because he was exercising on the stairmaster  and confused his longtime friend PERES with SHARON who sadly promoted”war” and not peace.

OBVIOUSLY someone contacted RUSSELL and reminded or told him SHARON was responsible for the massacre of PALESTINANS in a refugee camp in LEBANON in 1983.

3500 men ; women and children were killed when ; SHARON who was the head of the ISRAELI army blocked the exits of the camp and sent in a militia to do the killing and even illuminated the night sky with flares so they could see.

THE JEWS took offense of RUSSELL  alluding to this incident and they exposed him as one theirs by posting this picture on the front page of the TIMES OF ISRAEL; but without showing or mentioning RABBI SCHENEIR giving him a warning to watch his mouth because there is no telling what else they have on him.

A warning should be given to black artist and political leaders JEWS don’t play fair and they are a very vengeful people ; so when you get involved with them and you take their money they literally own you for the rest of your life.

 

THEY STOLE OUR SOUL PT 2

ALTHOUGH the JEWS have controlled much of the record industry from it’s inception and the manipulation of our artist by them financially is a historical fact ; the talent development remained under the control of the black community up into the seventies.

SINCE we come out of a segregated society much of our talent development was local ; just neighbors getting together to form musical groups at a local level.

MANY of our artist training came out of the CHURCH with a gospel tradition and with musical directors giving them personal instruction after sharing with them years of their musical experience.

WE also had our own small record companies that found and developed their own talent and this is where many of the biggest names even to this day were taught and made famous.

THIS is what the great MOTOWN records of DETROIT was; founded by GORDY BERRY and then joined by SMOKIE ROBINSON it was one of these incubators of talent that introduced us to DIANA ROSS who then discovered the JACKSON 5 and this is how we found MICHAEL.

I grew up with MICHAEL and his brothers and back then there wasn’t a young black girl in AMERICA that was not in love with him and we were all in love with them ; they looked like us and danced like us and were some of the early blacks on TV

BERRY GORDY and other black record owners who were developing black talent kept their acts clean in order to appeal to the dominant white conservative culture and this is the environment and culture that MICHAEL came from.

WHEN MICHAEL signed with CBS records in 1975 he left the protection of his mentors in DETRIOT and entered a world dominated by rich and ruthless JEWISH businessman young and alone.

WHEN CBS records was bought by SONY entertainment  in 1991 it was headed by the most power man in the record industry CEO HOWARD STRINGER it is at this point we saw a dramatic change in MICHAELS life.

MICHAEL was surrounded by JEWISH business and media managers; JEWISH lawyers; JEWISH video magnates such as MTV’S SUMNER REDSTONE ; his business manager who had the” power of attorney” over his business affairs at the time of his death was DIETER WISNER.

MICHAEL’S  fashion designer was JEWISH and even his DERMATOLIGIST.

HIS appearance and personal life became increasingly bizarre and dangerous when he was charged with sexual abuse in 1993 of a 13 year old boy.

HE was charged again with child molestation in 2003 of a 12 year old boy and he represented in both case’s by his JEWISH lawyer BENJAMIN BRAFMAN.

AT some point MICHAEL got into a business dispute with his JEWISH handlers like most black entertainers do and he expressed it in the song [they don’t care about us]  in 1996 and in the song he said [jew me; kick me ; sue me; kick me ; kike me don’t black or white me] and MICHAEL also described them as [LEECHES].

MICHAEL got into some trouble with the JEWISH establishment and the ADL got involved and MICHAEL was forced to back down and remove the lyrics form the album and video

APPARENTLY MICHAELS JEWISH handlers were losing control of him because in 1999 he met RABBI SHMULEY BOTEACH who attempted to convert MICHAEL to JUDAISM and with no success the RABBI passed MICHAEL on to the psychic and ISRAELI born URI GELLER both of whom saw MICHAEL as nothing more that a cash cow.

MICHAEL was even URI GELLERS best man at his wedding.

URI GELLER used his friendship with MICHAEL to negotiate the deal with journalist MARTIN BASHIR  for a TV interview titled [living with MICHAEL  JACKSON] and made over 1 million dollars.

UNKNOWN to MICHAEL at the time he had step into a trap because MARTIN turned the interview on MICHAELS personal life with children and it clearly caught him of guard  and it made MICHAEL look real bad and it not only destroyed MICHAEL professionally but psychologically and MICHAEL never recovered.

AND even though MICHAEL was worth up to 150 million dollars at one time he died not knowing where any of it was.

HIS JEWISH handlers however will be profiting off MICHAEL long after his death and said so publicly and this has been confirmed MICHAELS music and financial manager CHARLES KOPPELMAN said right after MICHAELS death that MICHAEL [could generate more money dead than alive] and he also said [now that the spending has stopped the estate could be worth 1 billion dollars].

ROB STRINGER  the younger of HOWARD STRINGER the CEO of SONY was the one who got the 50 million dollar deal with AEG LIVE; 20th century fox ; MTV paramount pictures for the distribution rights to the documentary about the last days of MICHAELS life.

EVEN the good RABBI SHMULEY BOTEACH will be making money off MICHAEL into eternity he sells intimate audio tapes on AMAZON of he and MICHAEL for $25 in which MICHAEL sounds as though he is either hypnotized or drugged.

I don’t know whether the JEWS are responsible for MICHAELS actual death; but we all know that MICHAEL left our community healthy ; talented; and intelligent; but he died weighing less than 100 pounds and couldn’t sleep without a powerful sedative and he also had fetish for young white children .

THEY STOLE OUR SOUL ! PT 1

WHEN I was young I never imagined black people could ever run out of music; our artist were so talented and numerous and since I was born into it; I assumed it was our birthright and part of our nature and therefore we could never loose it.

OUR musical legacy is at the root of this nation but it came to full bloom in the 1950’s and 6o’s and that is when the great NAT KING COLE appeared who represented us domestically and internationally  with class and respect

WHEN NAT KING COLE appeared;  AMERICA was largely white ; very conservative and CHRISTIAN ;but NAT was so smooth and talented and carried himself with so much class that he was even irresistible to racist white AMERICAN which gave him his own variety TV show in the height of segregation in 1956 called the NAT KING COLE SHOW he was a trained classic pianist and a master musician SAM COOKE was another wonder of the world he was handsome and extremely talented ; he was the very definition of poetry in motion and SAM was also a businessman who one of the first black record company owners which was rare in his days.

HE was also a developer of talent and introduced us to ARETHA FRANKLIN and BOBBY WOMACK  as well as many others he also left us songs that will last forever like [ wonderful world] and [ change gang ] and the legendary [change gone come].

ALTHOUGH JACKIE WILSON had the most troubled life he was probably the most gifted of all of our entertainers  he was nicknamed [ MR excitement] and was the innovator of the splits which later artist like JAMES BROWN  copied and then latter MICHAEL JACKSON.

AND even though it’s not well known he also left us with a song that will live forever he wrote [ QUPID].

THE beautiful music continued throughout the 70’s when the singing group the moments were at their peak with the great hit [ look at me I’m in love].

IT was actually a international hit ; it knocked the PARISIANS off their feet and they demanded a FRENCH version and got one and it was also the # 1 hit in FRANCE.

I challenge anyone to listen to that song in either language and say it’s not one of the most beautiful songs they ever heard.

I always encourage young people to look these artist up because the left many taped performances to view over and over; and I always tell them you miss the good stuff.

WE were the writers and innovators of some of the best music the world has ever heard and these songs will last forever; and if you travel as I do you will hear this music everywhere.

OUR musical legacy was transnational and transcultural which is very unique because most people’s music is made for themselves and everyone cannot enjoy it.

WE should ask ourselves where did our music go and how did we loose something so precious?

A people just don’t loose the ability to create a certain type of music especially in quality and content ; there has to be a external influence.

THESE are the questions I asked myself so I looked around and this is what I found.

stay tuned for pt2

 

 

WHERE DO THE MOVIES COME FROM PT 3

SINCE the JEWS are a very literate and arrogant people they openly brag in their publications of their conquest and control over this society believing that we dumb black AMERICANS will never simply read their own confessions.

HERE are just a few more examples of the JEWS themselves admitting to controlling the mass media and by extension the minds of AMERICANS.

IN a article published by the LA times dated 12/19/ 2008 titled[WHO RUNS HOLLYWOOD C’MON] written by JOEL STEIN he say’s.

THE sixth ; AMC president CHARLIE COLLIER  turned out to be JEWISH.

AS a proud JEW I want AMERICA to know about our accomplishment .

YES we control HOLLYWOOD without us you’d be flipping between” the 700 club and DAVEY and GOLIATH on TV all day.

AND in another JEWISH publication this times it’s the TIMES OF ISRAEL and the article is titled [JEWS DO CONTROL THE MEDIA] dated 7/1/2012 written by MANNY FRIEDMAN.

MR FRIEDMAN say’s WE are driven group and not just in regards to the art world. WE have for example AIPAC which is essentially constructed just to drive our agenda in WASH; DC. AND it succeeds admirably .AND we brag about it. AGAIN it’s just what we do.

BUT  the funny thing part is when any anti semite or anti ISRAEL person starts to spouts stuff like ; the JEWS control the media and the JEWS control WASHINGTON; DC.

SUDDENLY we’re up in arms . WE create huge campaigns to take these people down. WE do what we can to put these people out of work. WE publish article’s . WE’VE created entire organizations that exist just to tell everyone we don’t control nothing .

NO we don’t control the media no; no; we swear ; we’re just like everybody else.

DOES anyone else [whose not a bigot] see the irony of this?

LET’S be honest with ourselves here; fellow JEWS. WE do control the media . WE’VE got so many dudes up in executive offices in all the big movie production companies it’s almost obscene.

JUST about every movie or TV show whether it be ” TROPICAL THUNDER” or ”CURB YOUR ENTHUSIASM” is rife with actors ; directors and writers who are JEWISH.

  DID you know that all eight major film studios are run by JEWS ?

BUT that’s not all. WE also control the adds that go on those TV shows

THE late WALT DISNEY was a brilliant film maker and a self taught animator but in the business world he was no match for the HOLLYWOOD JEWS who quickly relieved him of his media empire.

TODAY the DISNEY conglomerate is the largest of the HOLLYWOOD studios and is headed by MICHEAL EISNER and it includes several TV production companies.

WALT DISNEY TV ;touchstone TV ;Buena vista TV ; it has it’s own cable network with 14 million subscribers and two video production companies.

AS for feature films the WALT DISNEY picture group headed by JOE ROTH includes touchstone pictures ; HOLLYWOOD pictures  and caravan pictures .

DISNEY also owns MIRIMAX films run by the WEINSTEIN brothers .

IN addition it has 225 affiliated stations in the U.S and part owner of several EUROPEAN TV companies

ABC’s cable subsidiary ESPN is headed by president and CEO STEVEN BORNSTEIN.

KEEP in mind this is just one studio and I haven’t even touched on the music and news industries that ‘s for another time

.

WHERE DO THE MOVIES COME FROM PT 2

IN 1988 JEWISH journalist and HOLLYWOOD historian wrote a book titled [EMPIRE OF THEIR OWN ]subtitle how JEWS invented HOLLYWOOD].

THE author NEAL GABLER say’s[THE HOLLYWOOD JEWS  created a cluster images and ideas so powerful that in a sense they colonized the AMERICAN imagination].

[ULTIMATELY AMERICAN values came to be defined largely by the movies JEWS made].

[BY creating their idealized AMERICA on the screen ; the JEWS reinvented the country in the image of their fiction].

IN the year 2014 we now see what NEAL GABLER actually meant in that the JEWS of HOLLYWOOD actually had a weapon so powerful that it could be used to change the culture; ethics and even the religion of the society that viewed their media.

WE now have two recent example of this display of media power.

FOX 411 reported on 11/4/13

[HOLLYWOOD TARGETED TO INCLUDE OBAMACARE IN TV PLOT LINES].

THE healthcare overhaul might get a rewrite.

THE CALIFORNIA endowment; a private foundation that is spending millions to promote president BARACK OBAMAS signature law ; recently provided a $ 500.000 grant to ensure TV writers and producers have information about ACA that can be stitched into plot lines watched by millions.

WE have an even more recent and graphic example of the power and arrogance of JEWISH media in a interview on the HOWARD STERN show.

WASHINGTON TIMES  1/15/14

PRODUCER: HARVEY WEINSTEIN warns MERYL STREEP movie will make NRA wish they weren’t alive!

HARVEY WEINSTEIN reveals gun control agenda of the movie [A SENATORS WIFE] to HOWARD.

MOVIE PRODUCER HARVEY WEINSTEIN announced for the first on HOWARD STERNS show that he is making a full feature to try and destroy the NATIONAL RIFLE ASSOCIATION.

MR. WEINSTEIN then revealed his secret project about the gun rights group.

[I; shouldn’t say this ; but I’ll tell it to you HOWARD he said.

I’M going to make a movie with MERYL STREEP and we are going to make this head on; and they’re going to wish they weren’t alive once I’M done with them].

THE movie mogul said his vision was to scare people away from firearms ; he believes movie goers will leave thinking GUNSTOCKS-I don’t want to be involved in that stuff; it’s going to be crash and burn.

THE chairman of WEINSTEIN .CO formally MIRIMAX is one of president OBAMAS biggest fundraisers .

HE brought in more than 500.000 dollars from his HOLLYWOOD  friends for the presidents re- election campaign and the  democratic national committee in 2012.

AND now after decades of subjecting AMERICANS to some of the most vile and violent films  HOLLYWOOD has now decided that we should be disarmed regardless of our 2nd amendment.

THE JEWS of HOLLYWOOD understand that they literally have a brainwashing machine that can be used to direct this society in any direction they wish; if they want us to go to war they promote war movies  and if they wish to push HOMOSEXUALITY then using the same process of repetition and magically anything can be normalized.

IT’S up to us as a people to understand this power in order to protect ourselves and I don’t tell anyone not to watch the movies I just suggest caution.

WHERE DO THE MOVIES COME FROM ? PT 1

 THERE has always been spy stories coming out of HOLLY WOOD but nothing close to the magnitude of the latest one

THE recent revelation that the producer of 12 YEARS A SLAVE ARNON MILCAN admitting to being a MOSSAD agent is huge.

FOR those of us who do not know what the MOSSAD is it’s the nation of ISRAELS version of the C.I.A .

THE MOSSADS creed is [BY WAY OF DECEPTION WE WAGE WAR].

AND they live up to this creed because they are the most vicious of all the worlds intelligence agencies.

THE exploits of this agency is documented in the book written by a former MOSSAD officer VICTOR OSTOVSKY titled [BY WAY OF DECEPTION].

ASSASSINATIONS ;arms trafficking kidnappings and torture are just a few of the activities these people are involved in.

IN a interview by a investigative journalism program aired 11/25/13 in ISRAEL called OVDA [fact] ARNON MILCAN himself admits to participating in the very same type of activities

IN the interview this is what he admit to doing.

PARTICIPATING in arms trafficking for ISRAEL.

RECRUITING  the actor /director  the late SYDNEY POLLACK to participate in arms trafficking and acquiring other military equipment for ISRAEL.

PROCURING scientific advisors for ISRAELS nuclear program.

HE admit to using a well known movie star to lure a U.S scientist to a secret meeting and it wasn’t just any scientist it was ARTHUR BIEHL a expert on nuclear weapons and co – developer of the atomic bomb.

HE also say’s he still maintains close contact to ISRAELI officials to this day.

BUT the most crucial admission for us is this:

HE convinced his colleagues in HOLLYWOOD to clean up the image of the S. AFRICAN apartheid government in exchange for URANIUM for ISRAEL.

THE reason this is important is because ; just think of the people whose images were destroyed by HOLLYWOOD.

SET aside black peoples image for a minute and think of ASIANS; the native AMERICANS and ARABS all of whom had there images distorted or destroyed by HOLLYWOOD IN fact there is book on this exact subject the book is named.

REEL BAD ARABS [subtitle] HOW HOLLYWOOD vilifies a people written by the author JACK G. SHAHEEN here is just a piece of the books introduction.

IN this comprehensive review of ARAB screen images ever published ;I document and discuss virtually every feature that HOLLYWOOD has ever made – more that 900 films ; the vast majority of which portray ARABS by distorting at every turn what most ARAB men ;women and children are really like .IN gathering the evidence for this book driven by the need to expose a injustice ; cinemas systematic ;pervasive and unapologetic degradation and dehumanization of a people]

WE black AMERICANS share the same experience as our ARAB brothers and sisters because our images were also distorted by HOLLYWOOD and we were made to look criminal and dangerous in the eyes of the nation as the ARABS were terrorist and deviants.

WE all must understand that this power to destroy or rehabilitate the images of a people  is in the hands of a very small group of  people and ARNON MILCAN is a representative of that group.

THIS is significant because this power can determine how a people see themselves as well as how others see them .

IT can demoralize or create self hatred as well as making others hate or fear you; it can be used as a insidious form of warfare.

IT can also be used to change they type and quality of the society we live in.

THE men who have this power should be known !